Buddhism Made to Measure
'...By the end of the nineteenth century, Methodist missionaries in Sri Lanka, Chinese revolutionaries in Shanghai, and Japanese reformers in Tokyo were all dismissing Buddhism as superstition and (in the case of the former) dismissing its followers as idolaters. A group of Buddhist elites, several of whom would visit the West, responded to these charges by claiming that Buddhism was not primitive, but instead was modern. Indeed, with its lack of a creator God and its mechanistic universe (driven by the engine of karma), it was the religion most suitable for the modern world. Some went so far as to say that Buddhism was not a religion at all, but rather a philosophy, even a science. In this way, viewed in light of the academic model of the day, which saw a movement from superstition to religion to science, Buddhism was able to leap from the beginning of the evolutionary chain to its end.
But the formation of Buddhist Modernism cannot be credited entirely to Asian Buddhists. Central to the process was the work of nineteenth-century European Orientalists. Although there were Buddhists almost everywhere else in Asia they found no Buddhists in India, the land of the Buddha’s birth; Buddhism had disappeared there by the fourteenth century. Instead, they found monuments (often in ruins), cave temples (overgrown by jungle), and statues (often broken). There were stone inscriptions to be deciphered, and there were Sanskrit manuscripts preserved in Nepal to the north and Pali manuscripts in Sri Lanka to the south. These were the materials from which European scholars would build their Buddhism.
What would come to be called “original Buddhism” or “primitive Buddhism,” became the domain of European and, later, American and then Japanese scholars. They would create a Buddha and a Buddhism unknown in Asia, one that may never have existed there before the late nineteenth century. Just as there was a quest for the historical Jesus, there was a quest for the historical Buddha, and European Orientalists felt they found him. Like Jesus, the Buddha wrote nothing and, unlike Jesus, nothing that he said was written down until four centuries (rather than four decades) after his death. This Buddhism then became a model against which the various contemporary Buddhisms of Asia were measured, and were generally found to be lacking, not only by Europeans, but eventually by Buddhist elites in Asia as well.
The Buddha was transformed from a stone idol into a man of flesh and blood, a man very much of modern times. Described by some as “the Luther of Asia,” he became famous for having spoken out against the corrupt priestcraft and the crippling caste system of “Brahmanism.” He also became something of a Romantic hero. In 1879, Edwin Arnold published a poem on the life of the Buddha, entitled The Light of Asia, that would become one of the most popular books of the Victorian period, and a favorite of Queen Victoria herself; Arnold was knighted for his work. The Buddha became an alternative Jesus, a Jesus who was not a Jew, but an Aryan. In a Europe obsessed with questions of race and questions of humanity, the Buddha was both racially superior and a savior for all humanity, an ancient kinsman, a modern hero. This Buddha was the product of a different Enlightenment...'
Precious points. Read the whole entry.



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